3,898 Royalty-Free Audio Tracks for "Augmented Major Seventh Chords"

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Major triad on C. Created using Sibelius.
Author: Hyacinth (talk)
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Major triad on C in first inversion.
Author: Hyacinth (talk) (Uploads)
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D chord in all fourths tuning.
Author: User:Hyacinth
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C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.
Author: Hyacinth
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Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.
Author: Untitled
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Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.
Author: Untitled
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Diminished seventh chord's use in modulation.
Author: Created by Hyacinth (talk) using Sibelius 5.
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The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.
Author: WBOSITG
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Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5
Author: Hyacinth at English Wikipedia
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English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.
Author: Frédéric Chopin
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*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.
Author: Hyacinth at en.wikipedia
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Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth (talk) (Uploads)
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C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.
Author: User:Hyacinth
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Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.
Author: Hyacinth at en.wikipedia
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3-12 trichord on C. Augmented chord.
Author: Hyacinth
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Just augmented fifth in just C scale: E♭ and B.
Author: Created by Hyacinth (talk) 05:43, 6 January 2012 (UTC) using Sibelius 5.
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The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.
Author: WBOSITG
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Quarter-comma meantone major chord on C.
Author: Created by Hyacinth (talk) 01:27, 21 March 2010 using Sibelius 5.
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Major triad on F in second inversion
Author: Hyacinth (talk) (Uploads)
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Harmonized C major scale.
Author: User:Hyacinth
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Major triad on F in first inversion
Author: Hyacinth (talk) (Uploads)
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Major triad on C in second inversion.
Author: Hyacinth (talk) (Uploads)
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C major triad, played by me
Author: Stephen Burnett at en.wikipedia
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Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.
Author: Hyacinth
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Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.
Author: Hyacinth
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Sixth (A), in red, of a C added sixth chord. Created by Hyacinth (talk) 15:57, 4 July 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Root, in red, of a C major chord.
Author: Created by Hyacinth (talk) using Sibelius 5.
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The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.
Author: WBOSITG
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Minor chord on A.
Author: The original uploader was Hyacinth at English Wikipedia.
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*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none
Author: Hyacinth (talk)
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*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none
Author: Hyacinth (talk)
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The chord of G major played on an acoustic guitar. El acorde de G major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of D major played on an acoustic guitar. El acorde de D major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of C major played on an acoustic guitar. El acorde de C major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of F major played on an acoustic guitar. El acorde de F major toca en una guitarra acoustica.
Author: WBOSITG
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A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.
Author: Hyacinth
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Undecimal augmented fourth on C (15/11): F↓♯+. 536.95 cents.
Author: Hyacinth
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Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.
Author: Hyacinth
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*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.
Author: Created by Hyacinth (talk) 16:27, 15 December 2009 in Sibelius with midi pitch bend on 54 for 1,768.75 cents rather than 1,770.67. New version a P8 + P4 on 79,86 for 1770.6787109375 cents rather than 1,770.67.
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Just augmented second in just C scale: A♭ and B.
Author: Created by Hyacinth (talk) 05:45, 6 January 2012 (UTC) using Sibelius 5.
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Septimal augmented sixth on C. A♭. 1003.8 cents.
Author: Hyacinth
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Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).
Author: Hyacinth
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V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.
Author: The original uploader was Hyacinth at English Wikipedia.
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Chord progression with a borrowed chord second to last: iv or Fm in C major.
Author: Hyacinth
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I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.
Author: User:Hyacinth
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Chord progression with a borrowed chord second: v or Gm in C major.
Author: Hyacinth
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